José Ignacio Maldonado
Markus Döhne – El congelador

Sector 3,
Guanajuato 1998

[...] The work is sober, because in a surprising cold-bloodedness it shows such disturbing scenes that we are compelled to see in the selection of the images a section, an autopsy. Then, the work is confusing, because it throws the viewer off track because by changing the cut the boundary is renewed, because the original path of the photographic shot is deflected. [...]