Susanne Greinke
Green Screens, Refugee Series.

from:
Catalogue
Überall ist es besser,
wo wir nicht sind.
Dresden/Nuremberg 2008

[...] While retaining the information of the images, they have been enlarged and changed in color. Despite increasing blurring one gets the impression that the actual picture information of the starting material has become even more apparent by the process of artistic appropriation. By doing so he poses the question of the semantic potential of images. [...]